Freshly Dripping

When you cut garments directly from large-scale paintings, every piece becomes unrepeatable. Not clothes with art on them—clothes made from art.

 That's been the focus lately. More collaborations. More people wearing the work. Less explaining, more showing. It's not about convincing anyone. It's about the people who already get it finding the work.

The painted canvas becomes the material. I'm not decorating fabric. I'm painting at scale, then cutting pattern pieces directly from the composition. What's left on the studio floor is just as interesting as what walks out the door.

It's part painting, part sculpture, part wearable archive of a moment that won't happen again. Each canvas only yields a few pieces. Once they're cut, that's it. No reprints, no second runs.

More of this energy coming. The Bank stays busy—production space, content studio, event venue. It all feeds the same loop: create, document, connect, repeat.

If you want to see the process up close, follow along. The work speaks louder than I do.